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October, 2018

Octoberfest at the Big Apple

No, it was not New York City. The big apple mentioned was the one painted on the north wall of the dining room in the new state-of-the-art Manor Village Seniors’ Center at 630 Victoria St. London. Over the apple are the words, "An Apple a Day Bistro." Under a painting of the apple is part of a quote from Hippocrates (460-370 BC): "Let thy food be thy medicine." We were invited to play there for the Octoberfest noon meal.

Judging by the applause, the toe tapping, by those who joined the band in the sing-along numbers, by the favourable comments, and the residents who got up to dance, we had a most appreciative audience.

During the break, I spoke to Sharie, one of the impromptu dancers. She mistook me for one of the residents, "Do you waltz?" she asked. "No," I said. "I will teach you." She said. "The next waltz the band plays, you come over. I will show you how." Then she spotted my band tie and said, apologetically, "Oh I see you are one of the musicians." "That’s OK, I’m old enough to be a resident. I’m 81," I said. I asked about her interest in dancing and when it began. She spoke of her love of music and dancing. She took piano and tapdancing lessons as a child growing up in Alvinston in Lambton county. Being from a rural area, she then learned to square dance and that was just the beginning. She moved to London for her grade 11 and has been in the city ever since.

Sharie also is an accomplished musician. She began playing the piano and became a church pianist while still in elementary school. That began a lifetime of service as a pianist and organist in churches and as an accompanist and mentor to many musicians. She continues to play the piano. When she moved into the Manor she brought her piano with her.

She wanted to know more about the band, so I told her about the web site and the newsletter and asked if I could mention her in the next edition. She was delighted. I decided to send her a draft copy for her approval before this newsletter was posted. She spent the rest of the time dancing with other residents, as well as a staff member who came dressed for the occasion in lederhosen. It was obvious that she was the one inviting and encouraging others to dance. After the concert I said to her, "You should teach dance here." Then realised that she had just done that.

There may come a time when seniors applying to live in a retirement residence may be asked, "What skills, talent or knowledge do you have that you might be willing to teach others while you are will us?" as well as the corollary, "What is it that you would like to learn?" It would give the facility a life long learning component. If that is part of what is to come in some seniors’ residences, we not only caught a glimpse of the future but helped it happen. How satisfying is that!

One of the ways that you know you have made a favourable impression, is you get invited back. We were. Just two weeks later we got to play at the Manor’s outside BBQ. The bonus was the invitation to eat. After the residents had eaten, we got to line up for chicken kabobs, hamburgers, corn on the cob, salads, watermelon and deliciously decadent cupcakes.

I saw Sharie again as I was about to leave the building. As we chatted she said, "The meals here are just wonderful. I am so happy to be here." We can agree whole heartedly with her comments about the food and we also were most happy to be there.

Glen Wright


Lambeth Harvest Festival Parade

September, for the band, began with the Lambeth Harvest Festival Parade.

The purpose of the Festival is stated as "Urban and rural neighbours coming together to celebrate each other." Any event that seeks to bring people together for greater understanding and appreciation needs to be celebrated.

While still summer, the parade day was cool and windy with a feeling of the fall season to come. The band route, curiously, was not down Lambeth’s main street where people usually gather for the parade but though a subdivision. Was it a way of welcoming those from the city who chose to live in Lambeth, or a reminder to the people in the subdivision that Lambeth would not be easily urbanized?

The parade had a rural feel; floats tended to be farm wagons pulled by tractors; bales of straw were the preferred or perhaps the default seating on the wagons. One tractor, not pulling a wagon was a mammoth John Deer machine with 8 wheels. Do you ever wonder about the cost of such a vehicle? I found a similar 2018 eight-wheeler on line for sale, with just over a hundred hours on its six hundred and twenty horse power diesel engine. It was listed at a mere $440,000.00. That’s a lot of (soy) beans!

The festival to follow also had a rural flavour: a pancake and maple syrup breakfast, country and western musicians, a wood carving demonstration with a chain saw and a soft ball tournament and much more including a BBQ lunch and a banquet in the local arena at night. Food has always brought people together.

The ball teams were co-ed and looked to be in their 20’s. They have a rural origin because, as we know, or remember, there was a time when every rural elementary school had a ball diamond and a co-ed school team. Soft ball, for the grandfathers and grandmothers of the present teams, if they were rural, would have been the recreation choice for school recess and noon hour. Will soft ball tournaments survive a generation introduced to Wi-Fi, smart phones and iPads? Will there be ball tournaments in 20 or 30 years? Probably, but it might be the same generation with a switch along the way to slow pitch.

So, was our band a good fit for the parade? The Dutch are no strangers to both rural and urban life. Many Dutch families who came to Canada after the war began their new life here in agriculture. Their children, like those of their Canadian neighbours, often moved off the farm to get jobs in the city. Moreover, any city band decked out in tomato colours of red, green and yellow with a large harvest ripe tomato painted on the bass drum should feel right at home in a rural-urban celebration.

Glen Wright



September, 2018

The Dundas Ontario Cactus Parade and

the Dutch Connection

When Barend (Ben) Veldhuis left the Netherlands to begin his new life in Canada, he may have been thinking about buying some land and establishing a greenhouse for growing plants. Chances are those thoughts did not include a cactus. However, after buying land in Dundas, ON. he built the greenhouse and began to grow and sell cacti. His enterprise grew and expanded exponentially. So successful was his business that by 1976, Dundas claimed to be the "Cactus Capital of the Universe." A cactus parade and festival followed. This year was their forty-third.Unfortunately, I had to miss this parade, but thanks to Sharon Weames, our trumpet player turned bass drummer, you have a firsthand account.

She reports, "The weather wasn’t nice when we headed down 401- the fog and the rain kept coming. As we reached Brantford it had eased off. By the time we reached Dundas it had stopped with a hint of blue sky. We found our spot # 16 in the parade. Though the rain had stopped, the humidity came back full. There were nine of us on the float. The enthusiasm along the parade route was evident. The people were clapping and dancing and thoroughly enjoying themselves, as we were. It was a great parade and the rain held off."

Information about this year’s parade can be found on their web site. There is an impressive list of the 13 bands with a description of each one. The list includes the 48th Highlanders Pipe and Drum, the Band of the Royal Regiment of Canada, the 163rd Pipe and Drum Band, the Preston Scout House, the Silver Leaf Brass Ensemble just to name a few. To say that we were in good company is a vast understatement.

The theme of this year’s parade was "Toys and Games on Parade". The more than 90 floats were judged under several categories. The overall winner, appropriately, was a float crowded with children who were holding sheets of bristle board marked with dots to represent the dots on dice. The winning float for the "Most Original" category went to Dykstra Lumber. It was a 1930's Dykstra delivery truck. In its wooden rack were two eight-foot cacti, but not cut from the Nevada desert. They were the Canadian version, cut from three quarter inch fir plywood and painted cactus green. Under the category of "Best Overall Effort" was a float featuring five smiling young women and a full size yellow barrel overflowing with toy monkeys. Painted on the barrel were the words, "More fun than a Barrel of Monkeys". What was curious about the float was the name of the group, the "Red Hat Hooters". I can only guess what it means; perhaps a rather bold parody, or a younger expression of the Red Hat Society ladies, a group of fun-loving older ladies who seek to push boundaries and challenge convention.

By the way, as you may have heard, August marked the 15th anniversary of the great black-out, when most of Ontario and part of New York State lost power for a few hours. Do you remember where you were when that happened? We do. We were taking part in the Dundas Cactus Parade.

As we well know, Dutch people contribute and enrich life in Canada in so many ways. The Cactus Parade and the three-day Cactus Festival is just one small but significant example. Who would have envisioned a parade and festival in Dundas, named after a cactus? Or for that matter, who would have guessed that there would be in London, a Dutch band named after a soup, and that every August, the Dutch band takes part in the parade with the Dutch origin to help with their celebration.

Glen Wright, with help from Sharon Weames.


August 2018

Concerts and Canada Day

In addition to the Memorial Service for Thys, the band had four other engagements in the two week period beginning with the last Wednesday in June. That was the date of the Teddy Bear Picnic at the Children’s Hospital in London. It is such an honour just to be there to add a bit of colour and sound to the hospital environment. It is a party not to be missed. The scene in the large bright atrium is one of parents and children wandering about, with some children walking, some in strollers or wheel chairs. An adult size teddy bear meets and greets, along with Star Wars characters. A young couple push a stroller with an oxygen tank protruding from its mesh shelf under the seat, a shelf more accustomed to sunscreen, juice boxes and bear paw cookies. Their daughter of about a year old, lies asleep, an oxygen tube taped securely into her nose. Another couple walk with a stroller and a rolling intravenous pole. I ask about their little girl, also asleep. "We are so pleased," says the father, "She will be going home in a few days." A boy, about 5, with Down Syndrome who sits in a wheel chair has struck up a friendship with another boy, also in a wheel chair. A tall Muslim woman carrying an infant, holds another by her hand while two other children follow. I spoke to one of the family support workers who said that the children were so courageous. "We can learn so much from them," she added. You get the feeling that you are in the midst of battles being fought, with most being won. You are surrounded by warriors: children, parents, volunteers, support staff, doctors and nurses, all heroes.

Four days later our band bus leaves the Moose Lodge, where the bus is now parked, for the Canada Day parade in Sarnia. The day was hot and the parade long. The band music for the parade was from Britain, France, the Netherlands, Germany and Canada. In other words, very Canadian. We, or our ancestors, are all "from away." It seems that 1867 is late, to mark Canada’s "birthday," since the Europeans by 1867 had been in this country for over 300 years. Our Indigenous brothers and sisters, who called North America "Turtle Island," arrived 15 to 20 thousand years earlier. However, in 1887 the Fathers of Confederation did declare the 4 provinces a "Dominion" and chose the Huron/Iroquois name Canada, probably a mis-pronunciation and a misunderstanding of their word "Kanata" which meant village. When the band returned home they played at the Moose Lodge for their Canada Day celebration. How Canadian is that eh?

The following week the band put on an evening concert at "The Seasons" a retirement residence in Strathroy with the ambience of a 4 Star hotel. The weather was perfect for the outside concert on the spacious patio. The audience was appreciative and responsive. A good percentage were Dutch. Women outnumbered the men by about 4 to 1, but then the Blue Jays’ game was on TV. The band may have been a better bet. The Braves beat the Jays by a score of 9 to 5. Following the concert two women came forward to express their appreciation with one saying how much she appreciated the Dutch tunes we had selected.

The two concerts, bookends for the Canada Day parade, both gave us glimpse of how we care for and about the very young and the elderly. Children’s hospitals and seniors’ homes were not only absent in 1867 but beyond imagining. They have contributed to our life expectancy, a measure of general health and well being. In 1867 life expectancy was 43 years. Today it is 81.8. Like proverbial fine wine, Canada has greatly improved with age; reason enough to put on the red tee shirt and wave the flag.

Glen Wright 


July 2018

Celebration of Life: a Memorial Service for

Matheus "Thys" Drost 1931-2018

On July 9th we gathered at Westview Funeral chapel to pay tribute, and to play tribute to one of the five founding members of the Tomato Soup Band, Thys Drost, who passed away July 3rd. If one were to choose a person who most represented the steady dedication, the proud Dutch heritage, the eager promotion of the band and all that it was attempting to do with and for the Dutch Canadian Society, that person would be Thys Drost. As one of our saxophone players, his music and the band were not just another hobby but his passion; a deep life- giving part of his life.

We gained further insighte into Thys’s dedication to hobbies from his son Dirk who spoke at the memorial service. Dirk said that hobbies through the years were mostly outdoor hobbies and not without risk. He recalled the time when Thys’s hobby was sky diving. He had made enough jumps that he could be called a veteran of the sport. But there was one time when Dirk and his sister Ellen, along with their mother Maria were watching one of his jumps. They saw the jumpers leave the plane. All but one parachute opened. It was Thys’s. The lines had become tangled and Thys was spinning out of control in free fall. A few critical seconds from the ground Thys got the lines untangled and his chute popped open, but too close to the ground for a safe landing. Thys’s inability to direct his chute toward a safe landing site proved to be a blessing. Thys landed in the top of a big tree which broke his fall and saved his life. It was his last jump. Maria had decided.

Another hobby, Dirk recalled, began when his father arrived home and said, "I have just bought a horse, but there is no need to tell your mother." He wanted it to be a surprise.

Thys’s work was as varied as his hobbies. He worked in a gold mine in South Africa but after seeing the way South African Blacks were being treated, quit in protest and returned to the Netherlands. Thys owned and operated a bar in the Netherlands and a farm in Canada; he drove a school bus and sold real estate.

During the service conducted by Fr. Murray Sample, a prayer used exclusively in St. John’s Cathedral in Den Bosch was read. We found out that Thys, who was born in that city, considered St. John’s his home church. This may explain how the musical number "Onze Ouwe St. Jan" named for that Cathedral, got into our play book. The music is not hymn-like as one might expect but a spirited march of triumph and joy. Thys, as we know, lived though and played through a ten year battle with cancer. His courage and resolve to confront that disease on every level, was nothing less than heroic. I like to think that were days when "Onze Ouwe St. Jan " both the cathedral and the music were his comfort and companion.

The memorial service began with our band playing three of Thys’s favourite numbers. It ended with a recording of "We’ll Meet Again" dont know where, don’t know when. Aside from an implied meeting beyond this life, we will meet Thys in our memory in so many times and places. He will be there when we think of quiet courage in the face of immense adversity. He will be there when we play his favourite music and whenever we think about the life and work of our band. For you Maria, Ellen and Dirk and your family and friends, Thys will be present in a myriad of fond memories. To you we extend our love; and a reminder that over those precious memories; over his life so generously shared; over the love that was so freely given and received, death has no dominion.

Glen Wright

June 2018


The Celebration

Part 1

The term celebration of life might refer to a memorial service for a loved one, a party, or even a parade. Over a six-day period from May 21st to May 27 the Tomato Soup Band, experienced all three.

We began the week with Thamesford’s Calithumpian Parade, celebrating the birthday of Queen Victoria, born May 24th, 1819. The word Calithumpian has its origin in Britain in the early 1800’s. It referred to a "spontaneous parade celebrating an event, with participants often acting like buffoons, marching to the banging of pots and pans." Does anything in that remind you of the Tomato Soup Band?  Who knew that our soup pot had such interesting ancestry. Dirk De Vries, our soup pot player, ever the star of our show, was there banging the pot and putting the thump in Calithumpian.

If all creative effort is art, then a parade is the art of the people. The variety and creativity in parade art is a delight. In Thamesford, a Peterbilt "semi" truck carries a rock band; a 30 ton Kenworth cement mixer, appears in pastel pink. For every ten cubic yards of cement poured, a donation is made to breast cancer research. An ancient two cylinder John Deer tractor put-puts along bringing a smile to any farmer over 65. Tractor-drawn trailers are crowded with waving Cub Scouts and Girl Guides; Mocha Shrine members hunker down in wildly painted "Love Bugs" or ride miniature police cars, fire engines and formula one race cars, blowing horns and popping wheelies. A small almost unnoticed float, a David among Goliaths, carries hand written posters warning that if a new highspeed rail line between Windsor and Toronto is built, too much precious farmland will be lost. Members of the Oxford Re-enactment Society walk by looking like they had just stepped out of the set of a Shakespearian play at Stratford. People dressed as Star Wars’ Princess Leia, Chewbacca, take a friendly walk with arch-enemies Darth Vader and the Imperial Storm Troopers. In spite of the 30 degree heat they stay after the parade for selfies. All this and much more, moving along to the tunes of a Scottish pipe band from Ingersoll, a Caribbean-style steel drum band from London and our Dutch Heritage band.

Would Queen Victoria, have been pleased?  What would she be thinking if she were there watching? Oh, there is one more thing about Calithumpian parades you might or might not want to know. According to the Thamesford web page, these parades in 19th century England, were sometimes the spontaneous celebrations that followed public hangings. Oops! So, I expect that the Queen would be both relieved and pleased that there had not been a hanging, and that capital punishment had been banned. She would marvel that in at least one of the bands, a pot was still being banged with a spoon. She might even ask for a "selfie" with Dirk, just for old times sake. In her wildest imagination she would not have envisioned just how many changes had taken place in the last 200 years. It would not take long for her to realize that while we have more than enough problems that need our attention, life, both in her country and ours, two centuries later, is infinitely better. For that also we celebrate; for that also we blow the horn, beat the drum, and bang the pot.


Part 2

The Party

The Portuguese Club provided the food and the drinks at the Azores Cultural Center, where we now practice. We provided the music. To the band, that’s a party. It was an excellent way for band members, their spouses, friends or family members to end a very warm week in May. We brought our musical instruments, so after the meal we gathered for a few musical numbers. When band leader Stew Taylor announced our concluding number, "Alpen Express," there was a call from some members of the audience for Neil Diamond’s "Sweet Caroline." How often does that happen? Then again, Does Celine Dion leave the stage without a call for "My Heart Will go on"? Could Leonard Cohen end a concert without a request for "Hallelujah?" OK, OK, I know it’s not the same, but it was gratifying to know that we are becoming known for more than "Beer Barrel Polka" and "Alpen Express."

The evening featured a surprise presentation to retiring band members Julie Juffermans and Harry Brouwer. Band President Martin Van Der Mark presented them with framed certificates acknowledging their combined half century contribution to the life and work of the band.

Julie, our cymbal player, joined the band when it began 26 years ago. She also served for a time as the band treasurer. As the only woman in the band, until recently, she became the band mother; straightening scarves and turning down collars, trying, often in vain, to get us to look half way presentable. On long bus rides she was there passing out soda crackers or mints. She was always there with a "hello", a smile, a hug and a "Thanks for coming."

Harry Brower played saxophone for the 24 years that he was with the band. He was and is also a dedicated patron. He took the major part in planning, arranging, and fund raising for the band’s two trips to the Netherlands. Harry was never short of ideas and not shy about sharing them. He was the go-to-guy when something needed to be done. His recent contribution was getting us a great deal on new band jackets including bringing Toyota on board as a sponsor.

We say a heartfelt "thank you" to both Julie and Harry and wish them good health and happiness in their retirement from the band. We look forward to keeping in touch and seeing them at our social events.

We were not finished with surprises. Just when we were expecting the party to wind down, four of our band members had other ideas. John Resendes who plays sax or tuba in the band, brought along his accordian. He was joined by our bass guitar player Joe Bondoso, and band members Sharon Weams and Martin Van Der Mark on percussion. It was an exciting new sound, even for this quartet, since that was their first time playing together. John, obviously, was in his musical element. The other three followed like the musical veterans that they are. Their version of "Roll out the Barrel" certainly had "the blues on the run." The rendition of "Delilah" would have been the envy of singer Tom Jones. And those were just the first two numbers. They were not just playing the music, they were at play. The fun they were having was obvious and contagious.

An evening that began with food and a drink, that was infused with friendly chat, gratitude and lively music, was a gift to body and spirit; as parties go, definitely a winner; indeed, an evening of celebration.

"All men will be sailors until the sea shall free them." Leonard Cohen in Suzanne.


Part 3

Celebration of Life: The Memorial Service for

Donald John Wright 1933-2018.

Memorial services have become "Celebrations of Life." This is not to ignore the gravity of grief. Loss hurts. It is felt deeply, and daily. Our love to Donna and family especially at this time.

Grieving is also sharing the stories. In the sharing, the life of the loved one is celebrated. The sense of celebration came early as we gathered for the service for former band member Don Wright. As I walked through the lobby of Needham’s funeral home I could hear a clarinet. "Nice touch," I thought, "they have the music of Artie Shaw or Jimmy Dorsey playing as a prelude. Then as I turned the corner there it was, a wall sized video of Don Wright on clarinet in front of a small back up band. The video was shot in Texas where Don and Donna spent many winter vacations.

Don was born in England and came to Canada in 1953. He started his musical career at age 14 and played in the Sherwood Foresters’ band in England. In Canada he was a member of the Canadian Guard band and the Royal Canadian Regiment band in Ottawa, the band that accompanied the changing of the guard on Parliament Hill. In London he was part of the Mocha Shine Band and at the age of 80 he joined the Tomato Soup Band.

Don was a bandmaster’s dream. He could play a number of instruments, so wherever he was needed, be it on trumpet, clarinet, sax, or baritone, he was there to help out.

At the Celebration of Life service, the Rev. Jeff Hicks used the text from Ecclesiastes 3: "There is a time to be born and a time to die, a time to plant and a time to harvest etc." Through the service I kept thinking of Don’s favourite musical number, "Anchor’s Aweigh" and when I heard the selected reading I thought if the Hebrews had been a seafaring people, the writer may have added "There is a time to throw out anchors and a time to haul them up." To "weigh anchor" as we know, was to lift it to prepare to sail.

I never asked why this was a favourite. Perhaps it was the way it swings, or sounds. I am wondering if there might have been something more fundamental. We spend a good part of our lives dropping anchors to make life secure, safe and somewhat predictable. Life is also about risk-taking, about new learning, about looking for new seas to navigate. The latter describes Don.

He moved to Canada when he was 20, served with the military in the Suez, became an OPP officer and finished his working career with the London Transit Commission. He used to say he liked the Tomato Soup band because he never knew what was going to happen. He told me that he and Donna would take one day a week, gas up the car and head out of London not knowing exactly where they were going. They would spend the day exploring a different part of the country. Finally, well into his 80’s he began to learn to play the cello. It’s called life long learning.

When in hospital during those last few weeks, a nurse asked Don why he wanted to learn to play the cello. His reply, and we can just see the twinkle in his eye, was, "When I get to heaven, I want to play in a band, and just in case they have a preference for stringed instruments, I will be prepared."

So thanks Don for the music and for much, much more. Since the last anchor has been lifted, we say, "Bon Voyage!" and "Play on Don, just play on!"

Glen Wright 

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